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ALINA AKBAR
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06:06
Umme's campaign to wear hijabs at school | FBB
The film was directed by Alina Akbar in partnership with YBB and Aurora Media. ▼SUBSCRIBE TODAY▼ http://www.youtube.com/user/FBBTV?sub_confirmation=1 ▼FOLLOW OUR SOCIALS▼ Facebook @ http://www.facebook.com/footballbeyondborders Twitter @ http://twitter.com/fbeyondborders Instagram @ http://www.instagram.com/footballbeyondborders/ Snapchat @FBBorders http://footballbeyondborders.org/
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06:23
3rd Migration Process Documentary
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throwaway (2021)
Moving Image, Sound, BW 16mm Film, 32sec
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FBB @ St Georges Park
Moving Image, Sound, 1min58sec (Director/DOP) Highlighting the future leaders, coaches and mentors in women's football.
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Changing Faces (2018) Directors Cut
Moving Image, Sound, 1080p HD, 4min45sec Following the release of his book Nosebleeds, South Manchester raised creative Isaiah Hull reflects on his journey to becoming a successful poet. The changing face of the City encourages him to preserve all he can through art as gentrification and social cleansing become more and more visible. Starring: @projectkillisaiah Director: Alina Akbar Cinematographer: Alina Akbar Camera assistant: Ellie Banks On set sound recording: Adam Ali Edit: Alina Akbar & Ellie Banks Beat Produced by: @symeze
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Trouble (2020)
Moving Image, Sound, 1080p HD, 2min A short film touching on themes of survival, identity and working class culture within Greater Manchester to create a powerful visual experience. Directed, Filmed and Edited by Alina (Lean 0161)
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Summer on 35mm (2018)
Moving Image, Sound, 1080p HD, 49sec Song: Jesse James Solomon "City Lights" *no copyright infringements intended*
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Idle hands (2019)
Moving Image, 1080p HD, 3min21sec “Idle Hands” is a short experimental film focusing on the migration of the Pakistani and Jamaican community to Greater Manchester after the 1950’s where they were involved in the textiles trade and mill work. Exploring how our communities have tried to develop and rebuild through manual labour and businesses after deindustrialisation, as well as the effects of generational poverty leading to crime and unemployment. The film is narrated by a poem written by the filmmaker.
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